Mapping Film Programming across Post-War Europe (1952)

Authors

  • Thunnis van Oort University of Amsterdam, Oxford Brookes University
  • Åsa Jernudd Örebro University
  • Kathleen Lotze Oxford Brookes University, Hogeschool van Amsterdam
  • Clara Pafort-Overduin Utrecht University
  • Daniël Biltereyst Ghent University
  • Jaap Boter Vrije Universiteit / University of Amsterdam
  • Silvia Dibeltulo Oxford Brookes University
  • Pier Ercole De Montfort University
  • Philippe Meers University of Antwerp
  • Terezia Porubcanska Oxford Brookes University, University of Antwerp
  • Daniela Treveri Gennari Oxford Brookes University
  • Liesbeth Van de Vijver Oxford Brookes University, Ghent University

DOI:

https://doi.org/10.1163/24523666-00502009

Keywords:

film programming, cinema, mid-sized city, Europe, comparative history

Abstract

This data paper and the data collection from which it emerges aim to present a fully harmonized data set originating in several research projects on post-war cinema programming. The paper will reflect on the collection and structure of this aggregated data set, that consists of titles of feature films screened for public viewing in cinemas in the cities Bari (Italy), Antwerp and Ghent (Belgium), Gothenburg (Sweden), Leicester (United Kingdom) and Rotterdam (Netherlands) for the year 1952. As comparisons of movie-going patterns between European countries are still rare, this paper offers a model for constructing a data set which can be replicated, scaled up and used to compare, contextualize, and eventually theorize practices of cinema-going across countries at a global level.

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Published

2020-11-04

Issue

Section

Data Papers

How to Cite

Mapping Film Programming across Post-War Europe (1952). (2020). Research Data Journal for the Humanities and Social Sciences, 5(2), 109-125. https://doi.org/10.1163/24523666-00502009